Well-Being

collective art/social art – art as communality

Creativity is good for us – as individuals it makes us well and happy, as a society it strengthens equity and security, as a community it builds resilience, cohesion and has the potential to build an economy that is sustainably progressive and exponentially prosperous. 

 

This is the founding philosophy of the Kensington Arts Group; an intentional, collective community effort, to bring art and creativity to life in Kensington; to bring the community together and make it a better place to live.

 

In October 2010, a couple of neighbour’s letter dropped the neighbourhood and called a community meeting.  Ten people turned up and called themselves the Kensington arts group. Since then there have been a music night and a poetry evening in the local pubs, a month long gates festival involving local schools, kindy’s and residents, a secular walking Christmas carol singing night and a film screening night at the local Norwood pool.

 

The Kensi arts group is strongly supported by the Kensington Residents Association – which also provides the valuable framework and capacity for other similar ‘by the people’ initiatives.

 

Whilst we busy ourselves in being prosperous, our elderly are often left to feel redundant, our young can have little connection to their local community, and our sense of place is often strongest where we work, not where we live.  This is about actively challenging those things.

 

It’s not about the interests of one particular person or group – it’s about creating a platform and opportunities to harness the individual creativity of all residents, young and old, local school students and families, local artists and local businesses, through art and creative initiatives. The group reflects diversity of age, experience, perspective and interest and there is a genuine effort to incorporate those varied talents to achieve something satisfying for both community and participants.

The Kensi arts group is about creating a platform for the local community, by the local community, to come together to share something.

 Trish Hansen, Kensi Art Group

 


cities – a fauna centric view

The other evening, I was out walking, when down the footpath came a large old koala wandering down the street on his way to somewhere.  He stopped and looked at me and carried on by, just another member of the local Kensington community out for an evening stroll.

Not growing up in Australia, I am still amazed whenever I see the local fauna out and about, especially in an urban situation.  My encounter, with our marsupial resident, started me thinking; why is it such an unusual or exceptional event to see koalas or other indigenous animals in our suburbs and why can’t we take a more fauna-centric view towards our cities.  Perhaps, if we want our cities to be truly liveable and sustainable for all, we should cast our thinking wider than just the city’s human inhabitants.  Is there a benefit to be gained by designing for wildlife in the city?  Not simply form the point of view of curiosity, but from an ecosystem wide perspective.

When we add wildlife as a measure of success within our cities we start to add a new level of performance to the planning and design of our urban environments.  For example, a measurement of bird species is not simply a count of animals.  The type and number birds in an area can also represent the diversity of tree species, habitat quality and extent of urban woodlands in the city.  Similarly, the number of koalas in the urban environment could signify the quality of habitat corridors and vegetation, whilst frogs could reflect the health and distribution of the creeks and water bodies. By using animals as a performance measure in our cities, we start to move away from the usual ‘function’ defined outcomes for infrastructure, especially green infrastructure (our creeks, wetlands and open spaces).  If we are aiming to create liveable cities, perhaps a more diverse approach to design and planning is needed to allow us to achieve liveable and sustainable environments where bird song, koala sightings, bee hives, butterflies and frog spawn are measures of success rather than the usual social and economic indicators we use today.

Perhaps next time you are out in the suburbs try listening for the bird song and look around you.  Does the amount of birds reflect to quality and quantity of trees around you as well as the shade and amenity of the street?  Or consider this, if a street has no song, what amenity does it provide for people.  How sustainable and liveable is that street?

Accidental Urban Designer – Warwick Keates – Director WAX Design


a quiet riot in norwood

It was only a few weeks ago that I return from London, thinking about all the wonderful things I had seen and how they might relate to City of Norwood Payneham & St Peters; ideas about place making and the notion of community building (things for the next blog instalment).  Then just over a week ago, Britain and particularly London was gripped by social anarchy and I start thinking how on earth did this happen. 

At the end of July, I was in Dalston and Hackney, soaking up a vibrant and emerging community spirit.  Self-assured, adaptive and expressing a local sense of community that brought together all walks of life.  The regeneration of Dalston appeared to be springing up everywhere, almost as an antidote to the hard economic times that are gripping the country.  Local people (the tax payers) are now deciding how Council’s limited budgets should be spent.  They, not Council, are deciding what is important and in the case of Dalston, the community have started with their open spaces, pocket parks and community gardens – places that they valued.

So how could the riots happen, when this community was starting to thrive?  How could things change so quickly and what were the causes.  Last week, I started to understand some of the reasons. 

(more…)


Should We Let Our Children Play In The Road?

Some might find this statement provocative, worrying or just mad; but when I was growing up in the late sixties that’s exactly what my parents used to encourage me to do. As a child, most days were spent after school playing in the street, learning to ride my bike, kicking the football, playing chasey or just hanging-out sitting on the curbside chatting to friends and other members of the community.

Somewhere between then and now the role of the road within our cities has changed significantly. I can’t tell you when, but the increased need for safety and security and the risks associated with the interaction of vehicles and pedestrians has become so absolute that there is a perception that absolute separation is now required for all our roads.

While the risks and dangers associated with roads remain very real, should these risks warrant the sterilisation of large tracks of land within in our cities, towns and suburbs?

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Life on the Parade

“I like The Parade because it’s the closest thing in Adelaide to living in a European City. You can enjoy your coffee against a backdrop of wonderfully diverse people, cafes , fashion and other stores with the town hall clock chiming the time away on the hour.”   Rosanna Busolin

“I like the shopping, easy parking and out in the street there is a good atmosphere – it has everything and then some ! “  Norwood Worker

“It’s pretty cosmopolitan. We’ve got a mix of everyone! We can cater to lot’s of different types of people instead of one stereotype. My kids go to school around here. I wouldn’t change a thing.”  Iolanda Scaife owner ‘Galleria 131’ on the Parade

 


Note from the Future – All industries are Creative.

In the late 20th and early 21st centuries economies around the world once again legitimately welcomed some of humanities most long-standing professions into the economy. Creative and cultural industries where embraced and labelled in a way that allowed them to be measured economically. Some of this was due to new technologies mediating creativity, making it easier for them to be commoditised and some, such as art and craft, had always been economic contributors, but through industrialisation had somehow lost their legitimacy in the economy. This loss of legitimacy was partly due to the difficulty in fitting one-off objects into the new industrial framework, and partly due to art theorists who felt that this type of creative work should not be included in the economy. The new terminology of creative/cultural industries allowed a number of disparate economic activities to be linked through the commonality of leveraging intrinsically motivated creativity for economic outcomes. (more…)


Public Spaces – Just add Arts

There seems to be a growing acknowledgment that the arts reflect our identity, our social conscience, our human lens on the world.

It’s an organic ‘thinker in residence’.

Integrating diverse forms of arts (performance, film, visual and music), organically throughout our City and our society, ensures that our human condition is fully expressed – irrepressibly. It’s our insurance towards creating a rich, vibrant, diverse and fulfilling life. (more…)


Well-being

I have lived here for a long time – most of my life- but the thing that has kept me in the precinct, despite the rising cost of living, is its vitality. It has an air or sophistication that comes from the culture of the long-term residents, particularly of Mediterranean heritage, that have provided a sense of community connectedness – a sense of family. Today this sense of living ‘vita’ has been taken up by the coffee shops and the commerce.The business world can take advantage of it, but it stems from a culture of community and sharing that I would like to see extended into other cultural endeavours. I like the idea of reinvigorating public spaces with culture – creating a hub that goes beyond commerce. I see fantastic potential in things such as the community garden for example. The other thing about this part of town is that it is quite green; it has lots of tall trees. The city has a certain considered attractiveness – it isn’t  plastic or synthetic.

Andrew Stock, Sculptor,  Local resident of thirty years


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